Lavender and White Roses at Domaine de Lamanon, Provence

Viktoria began the morning on a wrought-iron Juliet balcony of the mas, her blush-ivory silk robe catching the Provencal light filtering through sage-green shutters. She stepped into an off-the-shoulder white satin gown with a button-detail back and cathedral veil, finished with white Manolo Blahnik flats adorned with crystal buckles. Tatiana styled hair and makeup to complement the soft, timeless silhouette. In a neighbouring room, Dmitry settled into a carved wooden armchair while a groomsman helped adjust his black bow tie over a navy tuxedo jacket.

Beneath the shaded garden canopy of Domaine de Lamanon, white folding chairs lined a grass aisle leading to a circular arch densely covered in white hydrangeas, roses, and green foliage arranged by Les Blanches. Raffaella Violoniste accompanied the procession with a melody that settled over the garden as the couple exchanged personal vows beside a calm canal. After the first kiss, guests showered the newlyweds with white petals during a joyful recessional through the tree-lined path, the summer afternoon light dappling every frame.

Marion Co captured Viktoria alone in the formal garden, walking a gravel path framed by trimmed hedgerows and large white hydrangea arrangements. In one frame the bride pauses among the floral displays, the off-the-shoulder gown and cathedral veil drawing a clean line against the green backdrop. A black-and-white close-up taken indoors adds contrast, focusing on the texture of the fabric and the quiet confidence in her posture before she joined the celebration outside.

Marion Co guided Viktoria and Dmitry along a gravel path flanked by rows of lavender and tall Italian cypress trees, where the couple kissed and leaned into each other as the afternoon softened. A standout image captures a dip kiss in front of the circular hydrangea arch, the white blooms framing the pair like a living vignette. The series alternates between wide landscape compositions and tight embraces, giving the portraits both scale and tenderness.

The bride and her three bridesmaids gathered in the wooded garden of the estate, each holding a white paper parasol that shielded them from the July sun. The bridesmaids wore soft light blue dresses that echoed the toile de Jouy motif woven through the day, while Viktoria anchored the group in her ivory off-the-shoulder gown and cathedral veil. A final posed shot on the gravel path drew the parasols together, the quartet framed by cypress trees.

A single long banquet table stretched the length of the gravel courtyard, dressed in pale grey linen and lined with white folding chairs against the honey-toned walls and duck-egg blue shutters of the mas. Maison Luna Traiteur and The Fifth Season of Catering served a generous seasonal menu built around fresh Provencal flavours. DJ Alix and saxophonist Dimasax kept the dance floor packed well past midnight, while Darling Duo Acoustique set the earlier mood with acoustic sets. The evening closed with late-night laughter spilling across the courtyard under a canopy of string lights.

White and green hydrangea arrangements by Les Blanches anchored the ceremony arch and ran the length of the reception table, reinforcing a palette rooted in the surrounding garden. Blue toile de Jouy details appeared in the table runners and printed accents, a nod to traditional French textiles that Quinze Heures Quinze wove through the design. Ivory charger plates with ornate embossed borders held shield-shaped menus, while Maison Options supplied the furniture that gave the outdoor setting its polished structure.

A flat lay on blue-and-white toile de Jouy fabric gathered the wedding stationery by Rue Vendome alongside bridal accessories, the pale blue botanical print on white card stock tying back to the textile motif. Nearby, a groom flat lay on dark grey marble displayed black leather tassel loafers, a satin bow tie, and an ivory pocket square. The paired arrangements gave each partner a visual signature before the day began.