Ivory Crepe and Vineyard Gold at Hotel La Coquillade, Provence

Thomas dressed in a tailored suit by Maison Faubourg Saint Sulpice, photographed leaning against pale limestone in black and white. Celia D'Ancona handled makeup while Mr. Sacha styled hair, creating a polished finish that held through the day. Sophie's first gown, a Daalarna design in fluid ivory crepe with a deep cowl back, was laid out in the preparation room alongside Leila Buecher wedding rings.

Inside the white-painted ceremony space at Chateau la Tour Vaucros, exposed ceiling beams framed a symmetrical aisle. A large circular floral arch of blush, cream, and green blooms climbed around a white architectural column in front of a tall rectangular window. Rows of wooden cross-back chairs lined both sides, natural light pouring through arched windows. The setting felt more contemporary art gallery than traditional chapel.

Sophie wore two gowns across the day. The first Daalarna design moved beautifully against pale stone terraces in fluid ivory crepe. For a separate session, she changed into a Ziad Nakad couture piece in off-white duchess satin, the structured bodice hand-embroidered with a botanical motif. Juno Photo captured her on the stone balustrade terrace, light blue embellishment catching afternoon light, and again in black and white where the strapless silhouette stood on its own.

At the vineyard estate, Sophie and Thomas walked along the edge of a large rectangular pool, past colonnaded terraces and clipped topiary. One frame places them beneath a pale stone colonnade, foreheads close. Thomas had his arm around Sophie's shoulders in the vineyard rows and she was laughing at something just out of frame. The Daalarna crepe caught and released the light while vine leaves had turned full amber and rust around them.

Long dining tables set outdoors on a wooden deck overlooking olive trees and cypress, dressed in charcoal linen with stacked white plates, gold-rimmed glassware, and hand-calligraphed place cards. Carron Paris supplied matte sage and off-white vessels filled with dried pampas grass and cotton stems. Be Lounge provided rattan chairs in bleached tobacco and low sofas in terracotta velvet. Lily's Prod handled lighting, the space glowing in deep amber warmth against pastoral stone walls.

White cards with embossed text on a deep green surface sat alongside Leila Buecher wedding rings, a pear-cut diamond on yellow gold. A marble-effect plate with gold rim, ivory-handled cutlery, and a hand-calligraphed place card completed the tablescape detail. The colour thread ran from the ceremony programme through to the last menu card, consistent down to the ink shade.