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Blush and Ivory Summer Wedding at Clos d'Hullias

Patrick and Lucie's summer wedding at Domaine du Clos d'Hullias near Avignon. Rose blush florals, fairy-lit terraces, and a croquembouche. 51 photos.

By Elena Moretti | Published 6 December 2023

Louis Armstrong played through the speakers as relatives escorted Patrick and Lucie down a gravel aisle lined with blush garden roses and white hydrangeas at Domaine du Clos d'Hullias, a 17th-century hilltop estate near Avignon. The couple, who met at a jazz festival in Atlanta, brought Czech American and French American roots together for a July celebration among lavender terraces, olive groves, and limestone courtyards. Discover more about destination weddings across Occitanie in the South of France.

Ceremony

The bride and groom pose together immediately following an outdoor ceremony, likely at a French chateau or estate, with a limestone pillar and olive trees visible in the background. The bride wears a fitted, heavily embellished lace gown with a mid-length blush-tinted veil and holds a lush bouquet of blush garden roses, white ranunculus, and trailing greenery. The groom is dressed in a navy tuxedo with black bow tie and a white floral boutonniere featuring small white blooms and greenery. In the background, a woman in a navy dress stands near an ornate white iron music stand, and an acrylic ceremony structure with white floral arrangements is partially visible to the right; cane-back chairs used for guest seating are also visible. The shot is a medium portrait framing both subjects from approximately the waist up, with a classic, formal styling aesthetic.
An outdoor wedding ceremony taking place in a formal garden setting with a gravel aisle, framed by two tall stone pillar gate posts. The bride, wearing a white gown and long veil, and the groom in a dark navy suit are seated at the front facing a female officiant in a navy sleeveless dress who is speaking into a microphone at an ornate white lectern; a second person in a navy suit stands at a music stand to the right. Ceremony decor includes tall white floral arrangements on acrylic or glass stands flanking the couple, featuring white blooms and greenery, with additional white floral clusters on an easel-style stand. Approximately 30–40 guests are seated in rows of natural rattan cane-back chairs facing the ceremony, and many guests are holding white handheld paper fans, suggesting warm weather. The wide-angle shot is taken from behind the seated guests looking toward the altar area, giving a full view of the ceremony layout and garden backdrop.
An outdoor daytime wedding ceremony showing the groom standing at the altar watching the bride's processional, with approximately six male guests standing and applauding behind him. The groom wears a navy tuxedo with black satin lapels, a black bow tie, and a white rose boutonniere with greenery. The guests are dressed in a mix of navy suits, a gray suit, and smart casual attire. The ceremony takes place on a gravel surface with rattan gold chairs visible, set against a low stone wall and Mediterranean-style landscaping. The shot is a portrait-oriented medium shot focused on the groom's emotional expression as he looks toward the approaching bride.
An outdoor wedding ceremony photographed from an elevated wide-angle perspective, with approximately 80–100 guests seated in natural wood Louis-style chairs arranged in rows on a gravel courtyard. The ceremony is taking place at a Provençal stone-walled venue, with what appears to be an officiant standing at a small altar area to the right, flanked by a wooden barrel and a white floral arrangement on a stand. Guests are dressed in a colorful mix of summer attire including navy, coral, red, and olive tones. The seating layout is divided by a central aisle, and the foreground is framed by the gnarled trunk and branches of a large olive tree. Potential venue feature image.

Guests fanned themselves with white paper fans as a female officiant read vows between two stone gate pillars, acrylic stands topped with white hydrangeas and blush garden roses framing the couple. Patrick watched the processional in his navy tuxedo with black satin lapels, hands clasped, while friends stood and applauded behind him. Lucie wore a fitted ivory lace gown with floral applique and a cathedral-length veil, and they walked back down the aisle together laughing, one arm raised in celebration.


Couple Portraits

A couple portrait taken outdoors in a garden setting, with the bride turning back to look at the camera while leaning her head against the groom's shoulder. The groom faces away from the camera. The bride wears a fitted ivory lace gown with floral appliqué detailing and a cathedral-length train, while the groom wears a navy suit with black dress shoes. The garden background features lavender borders, olive trees, and a citrus tree. The composition is a three-quarter-length portrait shot from behind, with soft, even natural light giving the image a film-like quality.
A couple portrait taken from behind as the bride and groom walk hand-in-hand along a gravel path in an outdoor garden setting. The groom wears a navy suit, while the bride wears a fitted ivory lace gown with a deep open back detailed with a row of button closures down the spine and a full trailing train. Her hair is worn down with a pearl or crystal hair accessory at the crown. A decorative stone gate pillar is visible in the background, suggesting a formal garden or chateau grounds. The image is shot in a wide portrait composition with warm golden-hour backlight, giving the scene a soft, airy quality.
A couple portrait taken outdoors along a gravel pathway flanked by ivy-covered stone walls at golden hour, with a visible sun flare breaking through the tree canopy on the right. The groom wears a classic black tuxedo with a black bow tie, while the bride wears a fitted ivory lace mermaid gown with intricate floral appliqué and a long cathedral train spread across the gravel path. The bride leans her head against the groom's cheek with one hand resting on his chest, and both face the camera. The setting has a classic French countryside feel with aged stone architecture visible in the background. The shot is a medium-wide portrait composition.
A couple portrait taken outdoors among olive trees, with the bride and groom facing each other and holding hands. The bride wears a fitted ivory lace gown with a long cathedral train and a delicate floral hair accessory, while the groom wears a navy suit with a white boutonniere and black bow tie. The setting appears to be the grounds of a French countryside property, with a low dry-stone wall visible in the background. The shot is a medium full-length portrait taken in warm late-afternoon light.

Golden-hour light turned the olive trunks to copper as Patrick and Lucie walked the gravel paths of the estate hand in hand. She leaned her head against his cheek along an ivy-covered stone wall, the cathedral train of her lace gown spreading across the ground. The pair paused among lavender borders with the hills of the Gard stretching behind them, the navy of his tuxedo a sharp contrast against the fading sky.


Cocktail Hour

Close-up detail shot of an outdoor cocktail hour or welcome station set up in a garden setting. The display features a rustic wooden and wrought-iron shelving unit with a canopy roof, styled with a clear glass pitcher holding a loose bouquet of cream roses, blush spray roses, white lisianthus, and greenery. A large sage-green ceramic urn with lemon motifs sits beside the bouquet, along with a wooden crate filled with lemons and oranges suspended from the canopy frame, a small white ornate picture frame with a handwritten card, and stacked wooden trays. The overall styling palette is soft and rustic-Mediterranean, combining muted sage, cream, and blush tones with natural wood and ironwork elements.
An aerial wide shot of a cocktail hour taking place at a traditional Provençal stone mas, featuring terracotta-tiled rooftops, pale blue shutters, and ivy-covered facades. Approximately 30–40 guests are gathered around a rectangular pool terrace, with two white pop-up canopy tents set up to provide shade over a reception area. Small groups of guests in colorful summer attire are mingling poolside, and what appears to be the couple stands near the pool railing. The property is composed of multiple connected stone buildings surrounded by dense Mediterranean garden foliage, with cypress trees punctuating the grounds. Potential venue feature image.
Close-up detail shot of cocktail hour canapés arranged on a black tray. The spread includes two varieties: small blini topped with a pale salmon-pink mousse, a rosette of whipped cream, orange roe, and a sliver of what appears to be candied lemon zest, garnished with a pale peach carnation; and golden-baked choux rings filled with a cream and herb mixture. The presentation reflects a refined catering style with attention to garnish detail, including fresh herb sprigs and orange caviar pearls.
An aerial wide shot of a cocktail hour or outdoor reception taking place at a Provençal stone mas or hamlet-style property. Approximately 30–40 guests in summer wedding attire are gathered around a pool terrace and beneath two white pop-up canopy tents set up against the main stone building. A small group of guests, including what appears to be a figure in a white dress, stands near the pool edge. The venue consists of multiple interconnected stone buildings with terracotta tile roofs and blue-shuttered windows, characteristic of southern French rural architecture. The overall styling is relaxed and classic, with no heavy decor visible from this distance. Potential venue feature image.

Guests gathered poolside at the stone mas, mingling beneath white canopy tents as an aerial view revealed terracotta rooftops, blue shutters, and cypress trees. Citrus-infused water in glass carafes sat beside a rustic wooden shelving unit styled with cream roses, sage-green ceramics, and a crate of lemons and oranges. Refined canapes, blini with salmon mousse and golden choux rings, circulated on black trays.


Reception

An outdoor wedding reception setup on a gravel terrace, showing two long parallel banquet tables dressed in white linen tablecloths. The tables are lined with rattan-back Louis XVI-style chairs in natural wood with cream upholstered seats. Each table features a runner of green foliage and ivory roses interspersed with white pillar candles, with glassware and place settings laid for guests. Fairy lights are strung overhead between metal poles, and a green iron railing borders the terrace edge. The overall decor palette is white, ivory, and natural wood with greenery accents, reflecting a classic French garden style. Wide overhead shot taken at a slight angle.
A traditional French croquembouche wedding cake is displayed at a reception, built as a tall cone-shaped tower of caramel-glazed choux pastry profiteroles surrounded by spun caramel and nougatine sugar decorations at the base. The cake sits on a wooden board on a white-clothed table and is flanked on both sides by small floral arrangements of white roses, baby's breath, lavender, and eucalyptus. A small name tag reading 'Lucie et Patrice' is placed at the front of the board. In the soft-focus background, two men are visible — one in a navy tuxedo with a black bow tie, the other in a white chef's jacket — suggesting a cake presentation moment during the reception. The shot is a medium close-up focused on the dessert with shallow depth of field.
An outdoor wedding reception dinner is underway at dusk, with approximately 60–80 guests seated at long rectangular tables covered in white linen, arranged along a gravel terrace. The tables are lit with clusters of white pillar candles and set with glassware and place settings, with small white floral arrangements visible. Guests are dressed in a mix of smart-casual attire including white shirts, navy dresses, and colorful summer outfits. Overhead, dense canopies of warm white fairy lights are strung across the entire dining area and draped over trimmed hedges and potted topiaries lining the right side, creating a warm ambient glow against the dusky evening light. Rattan-back gold chairs are used throughout. In the background, three white peaked marquee tent tops are visible alongside a stone building, suggesting a French countryside or Provence-style venue. The shot is a wide, slightly elevated portrait-orientation image capturing the full length of the reception setup.
Close-up detail shot of an outdoor wedding reception table set with a white linen tablecloth and a garland centerpiece running along the center. The garland features fresh greenery, blush pink carnations, and cream garden roses interspersed with tall ivory pillar candles of varying heights placed in clear glass cylinder holders. Place settings include silver cutlery, white folded napkins, and clear stemless wine glasses. Natural wood rattan-back chairs are visible in the background, contributing to a classic French garden aesthetic with a soft, neutral color palette of white, cream, and blush.

Two long banquet tables ran across a gravel terrace under a dense canopy of fairy lights, white linen dressed with garlands of eucalyptus, blush carnations, and cream garden roses threaded between ivory pillar candles. Rattan-back Louis XVI-style chairs in natural wood lined both sides. A traditional croquembouche, caramel-glazed and flanked by small arrangements of white roses and baby's breath, bore a tag reading 'Lucie et Patrice'. Their first dance to Stevie Wonder's I Just Called to Say I Love You set the tone for a long, candlelit evening.


Design and Details

Detail shot of a wedding welcome sign displayed outdoors on a gravel surface, with a stone wall and greenery visible in the background. The sign is a large acrylic or mirror panel with white hand-lettered and printed text reading 'Welcome to the Wedding of Lucie & Patrick, July 22nd, 20...' and is partially backed by a sheer grey drape. A seating chart on a matching acrylic panel is partially visible to the right. Four low floral arrangements are placed at the base of the sign, featuring white hydrangeas, blush and cream garden roses, white lisianthus, and delicate green foliage, consistent with a soft, classic palette. The overall styling is modern-classic with a refined, airy aesthetic.
Close-up detail shot of an apple tree laden with small yellow-green and pale peach-toned apples hanging from bare-barked branches among green leaves. No people or wedding-specific elements are visible in this image; it appears to be a venue or setting detail shot capturing the orchard environment, likely used to establish the outdoor agricultural character of the property. The composition uses a shallow depth of field with soft bokeh in the background.
Close-up detail shot of a floral arrangement placed at the base of a mirrored acrylic wedding welcome sign outdoors on a gravel surface, with a stone wall visible in the background. The sign features white hand-lettered calligraphy and block script reading 'Wedding of Luci... & Patric...' with the date 'July 22nd, 20...' The floral arrangement includes white hydrangeas, blush pink roses, peach garden roses, white lisianthus, white stock flowers, and green foliage. The color palette is soft white, blush pink, and peach, consistent with a classic romantic styling theme. A figure in a white dress is partially visible and out of focus at the far left edge of the frame.
Close-up detail shot of lavender stems with dusty purple-blue buds, photographed outdoors with a shallow depth of field that renders the green background into soft bokeh circles. Several lavender spikes are visible at varying focal distances, with the central stem in sharpest focus showing tightly clustered buds in muted violet and grey tones. No people or wedding-specific decor are visible; this appears to be an environmental detail shot capturing the venue's garden plantings, likely used to establish atmosphere or location.

A gold open-shelf bookcase displayed miniature rose wine bottles with custom labels reading 'Lucie & Patrick 22.07.23', flanked by white hydrangeas and blush garden roses. An acrylic welcome sign in hand-lettered calligraphy stood against a stone wall with low arrangements of peach garden roses, white lisianthus, and white stock at its base. Close-up details revealed a white lisianthus boutonniere on pale limestone and lavender stems from the estate's own garden borders.


Venue

An outdoor wedding ceremony setup on a gravel courtyard at a French stone mas or bastide property, photographed before guests arrive. Rows of natural wood cane-back Louis XVI-style chairs with ivory cushions are arranged on either side of a wide aisle, accommodating approximately 80–100 guests. White floral arrangements of what appear to be white hydrangeas, garden roses, and greenery are placed at the end of several aisle rows as ground-level clusters. At the far end of the aisle, two tall stone pillars frame the ceremony area, with a white arch or altar structure adorned with white florals visible in the background. The overall decor palette is natural wood and ivory with an all-white floral scheme, giving a classic Provençal aesthetic. Wide shot taken from the back of the ceremony space looking toward the altar. Potential venue feature image.
An outdoor ceremony setup shot showing rows of natural wood Louis XVI-style chairs with cane medallion backs and ivory cushioned seats, arranged on a gravel surface. Floral arrangements placed along the aisle feature white hydrangeas, white lisianthus, blush and peach roses, and green foliage. The decor palette is white, blush, and peach with warm natural wood tones, fitting a classic French garden ceremony aesthetic. The composition is a medium angled shot focused on chair and aisle details with no people present.
Outdoor shot of a venue's garden pathway with no people visible. The wide shot shows a gravel path leading toward a stone-paved terrace area flanked by a weathered golden limestone wall on the left, covered in climbing ivy, and lush garden plantings on the right. Several terracotta pots containing herbs and red-flowering plants are arranged along the terrace steps. Tall cypress-style trees rise against a bright, overcast sky, and overhanging tree branches frame the top of the composition. Potential venue feature image.
An outdoor venue grounds shot featuring a rectangular swimming pool with turquoise water and a pale stone coping surround. A low dry-stone wall borders the pool area, with climbing and trailing greenery spilling over it. Pink and red flowering shrubs are visible to the left side. Behind the wall, terraced grounds rise with olive trees and dense Mediterranean-style planting, and three tall Italian cypress trees extend vertically against a bright, overexposed sky. No people are present. Wide shot composition with a clean, airy aesthetic typical of a southern French property. Potential venue feature image.

The 17th-century domaine sat high on a promontory in the Gard, its limestone walls and terracotta roofs framed by olive trees and cypress. A rectangular swimming pool bordered by a dry-stone wall overlooked terraced grounds, and a gravel pathway led through ivy-covered facades toward the courtyard where the ceremony chairs stood in ordered rows before two tall stone pillars.


More from the Day

Close-up detail shot of a pair of bridal drop earrings displayed on a small cream ceramic dish against a soft grey background with a white silk ribbon partially visible. The earrings feature gold-tone circular stud tops set with small grey crystals and pale blue marquise-cut stones arranged in a leaf motif, from which hang large white fabric flower pendants made of layered organza or chiffon petals with white resin stamens at the center, edged with small gold-set crystal accents. The styling is classic bridal with a soft, white and gold palette. The composition is a styled flat-lay detail shot.
A close-up bridal portrait focused on the bouquet in the foreground, with the bride softly out of focus in the background. The rounded bridal bouquet features blush and cream garden roses, white lisianthus, soft pink spray roses, and carnations, accented with green ruscus and eucalyptus foliage. The bride is wearing a white lace-strap gown, a sheer veil, white drop earrings, and a delicate pendant necklace, with her blonde hair worn down in loose waves. The overall palette is blush, cream, and white with classic styling.
A bridal party portrait taken outdoors in a courtyard or terrace setting, likely at a French stone-building venue. The bride stands at center wearing a fitted floral lace gown with a cathedral-length lace-edged train and a cathedral veil, holding a bouquet of white roses and greenery. She is flanked by eight bridesmaids wearing a mix of blush pink floor-length gowns in various styles and two bridesmaids in deeper dusty rose/mauve high-low satin dresses, creating a tonal pink color palette across the group. All bridesmaids carry matching bouquets of white roses with dark green foliage. The composition is a wide group portrait shot in bright natural daylight, with the nine women lined up and facing the camera directly.
A bridal party portrait taken outdoors on a terrace or courtyard area of what appears to be a Provençal stone venue, with lush greenery and a lantern visible in the background. The bride stands at center in a fitted ivory lace gown with a cathedral-length train and a white veil, holding a bouquet of white and blush blooms. She is flanked by eight bridesmaids wearing a mix of blush pink and dusty rose floor-length gowns in varying styles — some in soft blush chiffon, two in deeper mauve-rose satin with high-low hemlines — all raising their white bouquets in the air in a celebratory pose. The color palette across the group is cohesive in the pink and rose family, creating a mismatched-but-coordinated look typical of a classic-romantic styling approach. Wide group shot taken at eye level in bright midday light.
Aesthetic
Romantic rustic
Guest Count
-
Budget Range
-
Bride's Dress
Unknown

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